![]() So there you may want to look at the individual case and use model. Stuff like a wah or flanger can kind of fall into the middle ground b/c you're messing with the timbre, but not "reconstructing" it like with a fuzz or a microsynth In this case, the difference between the states can be offputting.so ther TB can be less appropriate and cause a "mismatch" Sometimes the loading is actually part of the sound (ever here people say "my fuzzface hates buffers"? - that's because it's voiced such that the loading is part of the 's "tonesuck" but it's "tonesuck" that is pleasant)īUT, with things like, chorus or delay (notice Julian mentioned the guy modded a memoryman delay) you might not want the tone or volume to be different between the on and off states (you just want the addition of echo or chorus or reverb or what-have you) The UKs 1 Music Store with 15 Stores Nationwide, 0 Finance and Free. Now, with an effect which has a primary function of saltering tone or volume.like a 's not a big deal b/c you are altering that stuff anyway. Buy the Electro Harmonix Micro Synth Analog Guitar Synthesiser Pedal at PMT Online. So, by using TB you have 2 different load/impedence conditions.one when the effect is ON, another when the effect is OFF OK, TB prevents an effect (the input stage) from loading the signal.but here's the thing when the effect is off FILT - Modulated filter effect like those on classic analog synths.What volume issues? Doesn't tb usually help with volume issues?.Select your main pitch shift and modulate around it. PHASE - A classic phaser effect like the EHX Small Stone. ![]() ![]()
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